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Shooting a wedding

HR Images

Photographer from Australia

Shooting Wedding

 

Capturing weddings can be the most stressful but fun thing to shoot. But for me I love shooting weddings and love being able to capture those precious moments for my clients and seeing the smile on their faces when I hand the images over to them for viewing.

 

The key things for weddings to know are:

 

Getting to know your clients:

The first meeting is always the most crucial part for a couple looking to get married. Building that connection with the couple and making them feel comfortable for them to trust you and hire you to capture their special day. Spend some time chatting to the bride and groom, find out their story and get to know them. It is also a great time for them to get to know you as well. They are here to find out what they are hoping you as a photographer will be able to achieve for them in capturing the special moments of their lives and what they expect of you. Pre-wedding shoots is a great way for you and the couple to get comfortable with each other and for the couple to understand how you work and for you as a photographer to understand what the couples want.

 

 Contract

Make sure to always have a signed contract between you and the bride and groom. A contract is there to describe the fees, services and products offered to the couple. It will also protect you as a photographer. It is best to hire an attorney to create a contract suited for you.

 

Preparations

Ask for the schedule for the wedding, finding out the times of the import parts of the day making sure not to miss a moment. If it is your first time going to the church, location and reception, make some time to visit the places. It is important to know what to expect at the locations and prepare as you don’t want to turn up at these locations and see something you were not expecting. This could throw you off from what you planned to do. Eg. Church, whether or not flash can be used as you won’t know how good the light is. Check out the location and find some key sections where you can take the couple for some shots (make sure the couple is aware that a permit may be needed and to organise getting the permit). Visit the venue to see the lighting that is used in the venue.

 

Equipment

Go through your equipment a week before the wedding making sure sensors are cleaned, lenses and cameras are functioning well (if there is an issue with any of the items you have time to get a replacement). SD cards are in working order and formatted (You don’t want to turn up to a wedding and realise your SD card was either Full or faulty). Also make sure to have extra SD cards. Take spare batteries as depending on how long you are shooting the wedding you may need to swap batteries. The last thing you need is having your battery to go flat and no spares to continue capturing the day. Always carry two camera bodies; one main body and one backup. My main body, the Sony a7iii, will have my Samyang 35mm f1.4 AF lens, as this is my most used lens for weddings. My backup body, my Sony a7Riii will have either my 85mm f1.4, 70200 f2.8 or Samyang 50mm f1.4 AF, depending on the venue. Have a good bag to carry your items in, I currently use the Tenba Roadie Roller 24 which will fit all my bags and as it’s a roller, it’s easy to carry around. The Tenba bag has a cable lock so you can tie it to places and know that no one will come and pick up your bag. I also use the Spider Holster Light Belt to carry my gear throughout the day instead of camera straps. The reason I use the Spider Holster is because I am on my feet all day and having straps puts a lot of strains on your shoulders. Whereas the Spider Holster distributes the weight around your waist and frees your shoulders so you will not have any pain at the end of the day. Finally, the most important thing is flash. I have 2x Godox V860ii flashes and I bring either my Godox ad200 with Magmod Sphere and Grid or the Ad600 for location shoots.

 

Ceremony and Reception

With the ceremony, majority of worship places do not allow flash (it is important to ask, as you don’t want the priest or person who is performing the ceremony to stop and ask you to turn your flash off in the middle of the wedding). It is best to have a camera that handles low light really well and be able to increase your ISO without adding grain. As an example, with the Sony cameras, I am able to shoot up to ISO 12800 with very little noise. It is important to have fast lenses especially for low light with worship places and reception. I generally use primes with an aperture of f1.4 or a 70200 zoom which is a f2.8. That way you allow more light through your lens without increasing your ISO too high. Key moments to capture during a ceremony would include the bride walking down the aisle, exchanging the rings and the first kiss. These moments are very important to capture and should not be missed. During the ceremony it is good to blend into the crowd and capture candid shots of the guests laughing and having fun. For this I would use my 85mm f1.4 (Hopefully Samyang will release an 85mm f1.4 AF and a 135mm f2) or 70200 f2.8. This way I can get some nice close tight shots at a distance without being seen. It is best to capture emotions as they are happening.

 

What you need?

Make Sure to bring snacks and water as it will be a long day and you won’t have enough time to stop somewhere where you can get something. Dress appropriately for a wedding as you want to blend in and be able to capture those special candid moments of the guests or couple. You don’t want to stand out. Wear comfortable shoes as being on your feet the whole day without a break is tiring. I’ve had my fair share of uncomfortable shoes where it killed my feet. Invest in a good pair as without your feet you won’t be able to work.

 

What to do after a wedding?

The first thing you do when you finish a wedding and get back home or to the office is BACKUP your images. As you don’t want to accidentally delete them or something happen to the SD cards and you lose all the images. That is the last thing you or the couple needs.

 

A lot of people always ask me, why do I use the 35mm 90% of the time. First of all I am a prime shooter and the only zoom lens i use is the 70200 f2.8, which is mainly used at the ceremony. For me the 35mm is my favourite focal that allows me to get close to my subject for some nice detail shots and to capture images showing more of what is happening around your subject. The f1.4 is great in low light and produces a stunning bokeh or background separation. Below are images I have captured during a wedding using the 35mm.




Sony a7iii + Samyang 35mm f1.4 AF – ISO 640, f1.4, Shutter 1/250 (Natural light)



Sony a7iii + Samyang 35mm f1.4 AF – ISO 100, f3.5, shutter 1/5000. Godox ad600 w/27inch beauty dish

 

 

Sony a7iii + Samyang 35mm f1.4 AF – ISO 100, f3.5, shutter 1/5000. Godox ad600 w/27inch beauty dish 

 

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 100, f3.5, shutter 1/2500. Godox v860ii flash

 

 

 
Sony a7iii + Samyang 35mm f1.4 AF – ISO 500, f1.4, shutter 1/250. (ambient light from reception)

 

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 500, f1.4, shutter 1/250. (ambient light from reception)

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 800, f1.4, shutter 1/250. Godox v860ii

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 1600, f1.4, shutter 1/250. (Ambient light)

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 5000, f1.4, shutter 1/250. (ambient light)

 

  

Sony a7iii + Samyang 35mm f1.4 AF – ISO 2000, f1.4, shutter 1/250. (ambient light)

 

 

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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