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Why I Chose the Samyang Tilt/Shift Lens for Cityscapes

Nicolas Wauters

Photographer from Belgium

 

 

Why I Chose the Samyang Tilt/Shift Lens for Cityscapes

 

“Why did I choose a Tilt-Shift lens? Even if I like the retouching part, I like to frame my pictures as most as possible in the field.”

Maybe it's due to my character, as I'm a little maniac, but I like when everything is straight! It's also a personal taste, some people love the wild angle and distortion effect but I'm not a huge fan of that.


 

 

Having a tilt-shift lens allows me to keep everything straight when I take the pic but also to crop less in post-prod.

 

 


 

It allows me also to be closest to the ground, which would magnify the distortion effect with a normal lens.

 

 


 

That's the main and only reason why I use this lens and it helps me to produce hundreds of images I'm glad of.

However, you can also play with the tilt effect to create a "miniature" effect. And even if I use this lens for many years, I have never tried it. It can be a great thing to try in the future?

 

 

 

All images have a story and I'm sure it is the same for any photographer. Through my photos of the city,

I try to share my love of Japan and particularly of a Japan devoid of people. But each photo outing allows me to spend a moment of intimacy where I feel like I have the city all to myself. 

“City, Alone: Welcome to My World!”

 

 


 

 


SAMYANG TILT/SHIFT LENS 24mm F3.5 ED AS UMC

 

The Samyang 24mm F3.5 Tilt-Shift in the camera has changed my world. It meets the specs and features I needed for cityscapes or landscapes. 

It’s a manual focus lens which ensures the excellent quality of pictures.

 

 


 

Tilt / Shift

Tilt-Shift camera lens allows the user a smooth adjustment of the focal plane angle. 

The focal plane angle ranges from -8.5 to +8.5 degrees while the parallel shift of the lens optical axis by ±12 millimeters. 

Samyang provides its user an excellent angle view of 90-degrees. 

Although, you can operate it on 30, 60, or 90 degrees against each other. 

Despite that, the bayonet mount can also be rotated to the right by ± 90 degrees, also at 30 degrees addition. 

These were the basic specifications for Samyang 24 mm f/3.5 Tilt-shift camera lens. Let’s dive into in-depth details.

 

Wide 24mm Focal Length

I think the Samyang Tilt/Shift 24mm F3.5 ED AS UMC lens was manufactured especially for landscape photographers. 

Although it can be used for architecture photography and environmental portraits, it is specially designed for landscape photography.

he reason behind this is its excellent 24 mm focal length. Besides that, the tilt functions also add a significant value to its use for landscape photography. 

To achieve an optimized result, I recommend operating the lens at least f/5.6 or f/8.

 

Chromatic Aberration

Due to high specs, Samyang 24mm f/3.5 Tilt-Shift shows only a minor chromatic aberration. 

And this only happens when you operate this lens at extreme full frames. This minor chromatic aberration is not a big deal.

When you are capturing a bright source, your final result will have some flares, especially on narrow apertures. 

This lens also has in-built 6 non-round apertures, which you will notice when you are capturing a bright out-of-focus source. 

Having a bright unfocused source in your frame will be captured with hexagonal shapes of blurred light spots.


Build Quality

The most salient feature of Samyang 24mm f/3.5 Tilt-Shift is its lens build quality. It provides a manual focus-only lens. 

It enables the focus ring to function extra smoothly. Consequently, photographers are at a greater advantage by this distinction. 

Also, the focus ring-built is very nicely done. It is of perfect size, extremely smooth, and has an ideal amount of dampening.

The lens comes with a DOF (depth of field) scale marked on it. It shows f/5.6, f/11, and f/22 on the scale. 

An efficient range of short-distance focus distance markings (in ft and m) are marked too. It can exceed the infinity mark.

 

 


Conclusion

 

Overall, the lens build quality is unparallel for its price range. The movements are very smooth, and the lens is solid and has a very nice feel. 

The knobs provide a good grip and work efficiently. Despite it, the knobs are differently colored, providing ease to distinguish them. 

The whole body is made from high-quality plastic, which gives it a very nice look. It's worth its price.

 

8 years ago, when I start to focus my photography on Japanese structure and building I have hesitated a long time on buying a Tilt-Shift lens. But due to their attractiveness, 

I purchase this Samyang 24 tilt-shift and since this day, this lens has never left my backpack (unless I go for a hike in nature).

It helps me to accomplish photography that I will never be able to do on-field with a general lens or that I would be able to do only when I crop and reframe in Lightroom with a non-tilt-shift lens!

 

 


 

 

 



 


 

So if you like to capture the cities like me, I really invite you to discover this Samyang Tilt/Shift 24mm F3.5 ED AS UMC lens.

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
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1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
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D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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