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First Impression of the New Samyang AF 50mm F1.4 FE II

Nic Taylor

Photographer from England

First Impression of the New Samyang AF 50mm F1.4 FE II

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I’d like to share my brief look of the new Samyang AF 50mm F1.4 FE II lens comparing the original Samyang AF 50mm F1.4 FE.
The initial lens I tested when I became an ambassador for Samyang back in 2016 was Samyang's first-ever autofocus lens, the AF 50mm F1.4 FE.
Fast-forward five years, with numerous autofocus lenses across the three main consumer camera mounts, Samyang is now releasing an updated mark 2 version of the lens saying ‘Better Faster Lighter’. This lens follows on from the other two brand-new lenses released this autumn including a brand new AF 24-70mm Zoom lens and a 12mm AF lens
for Fuji X-Mount (both lenses are Samyang firsts).

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(Left) Original Samyang AF 50mm F1.4 FE (Right) New Samyang AF 50mm F1.4 FE

When I look back at my review of the original AF 50mm F1.4 lens I mention that it had fast AF. This was around the time I was switching from Sony A mount to E mount so a lot of my lenses at that time were adapted which made me used to slower autofocus performance. When I compare the MK2 model to the original version, the difference in speed is incredible. However, it’s worth noting that the original 50mm lens was Samyang's very first AF lens, so some teething issues could be expected.
Many videographers complained about the AF motor noise on the older version and slow AF performance. Neither of these issues bothered me as the sort of stuff I shoot doesn’t require speed or silent AF but I can see why the performance of the lens could annoy some photographers /videographers.

Some Key Points Taken From the Samyang Website:

1. Smallest & Lightest large-aperture standard lens

2. Ultra-precision aspherical lenses offer soft and beautiful bokeh

3. New modern design with matt finish and red ring

4. Fast & quiet AF and well-controlled breathing for shooting video

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Size in hand while mounted on Sony A7RIII

Better Faster Quieter AF Performance

The new, updated version of this lens has by far better AF performance. It's faster, quieter, and better in low light.

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LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/160 sec
ISO 125
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/160 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/160 sec
ISO 125
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/160 sec
ISO 125
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment

Lighter with Improved Performance

It also has a slightly more complex construction with its 11 elements in 8 groups as opposed to the 9 elements in 8 groups of the older model. Samyang has done a great job when designing the updated lens. Despite it being slightly wider and having a more complex build, the new model weighs quite considerably less than the original lens.
420g for the new lens versus 585g for the older model. I really like how Samyang has designed the update to this lens and made it a little smaller and lighter.
I'm always trying to reduce the weight of the kit I carry to shoots.

New and Convenient Design

The update also brings a focus hold button and a Custom switch which has appeared on the last few E-Mount lens releases from Samyang.
A very nice addition that allows the user to adjust camera settings via the focus ring when set to position 2. The lens features a more matte finish similar to the AF 24mm F1.8 FE released earlier this year which I really like. Samyang has done a great job when designing the updated lens. Instead of the 67mm filter thread on the original 50mm, the updated version features a slightly bigger diameter filter thread of 72mm making it a slightly wider lens overall. It also features weather sealing, which the original lens did not.
This is something Samyang has brought to the newer lenses released in the last 18 - 24 months.

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Samyang AF 50mm F1.4 FE II and Sony A7RIII

Shorter Minimum Focusing Distance

It has an aperture range from f1.4 up to f16 which is pretty standard for a lens of this type. It features a minimum focusing distance of 40cm (from subject to the sensor)
which is slightly better than the original lens which had a minimum focus distance of 45cm.

zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F6.3
SPEED 1/200 sec
ISO 50
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment

Impressive Resolution and Color Suited for Food Commercials

The sharpness of the lens is good and the colours and contrast are punchy. Of course, these things can be edited to suit in a photo editing app like Lightroom or Capture One. I haven't noticed any chromatic aberration, but that's not to say this lens doesn't render the images without any. However, this can be fixed with a simple click in Lightroom.
I haven't had a chance to test out how the lens performs in regard to flaring, but I have been very impressed overall with how this lens has performed for me on numerous shoots for clients since I've had the lens. For a few years the 50mm was one of my most used lenses, especially for shooting food (mainly top-down shots) as I liked the look the lens gave. This new, updated version will replace the old version in my camera bag and will form part of my fundamental kit for restaurant and food photography.

zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/160 sec
ISO 125
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/100 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F1.4
SPEED 1/100 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F1.4
SPEED 1/125 sec
ISO 100
EXPOSURE Aperture
priority
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5.6
SPEED 1/5000 sec
ISO 80
EXPOSURE Aperture
priority
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5
SPEED 1/160 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5
SPEED 1/13 sec
ISO 125
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment
zoom
LENSES AF 50mm
F1.4 FE II
CAMERA SONY
ILCE-7RM3
DIAPHRAGM F5
SPEED 1/200 sec
ISO 80
EXPOSURE Manual
PHOTOMETRY 50mm
BRIGHTNESS -
PHOTOMETRY Multi
segment

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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