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V-AF Series
Compact Cine Autofocus Lenses
Easily create cinematic footage with smooth and precise AF performance
Unified form factor optimized for gimbal and drone shooting
Exceptional shooting versatility through dedicated accessories
- 20mm T1.9
- 24mm T1.9
- 35mm T1.9
- 45mm T1.9
- 75mm T1.9
- 100mm T2.3
- Manual Focus Adapter
- 1.7x Anamorphic MF Adapter
Unified Form Factor
- Compact & Lightweight
All lenses have a unified center of gravity for easy changing and balancing,
which significantly saves time when shooting with gimbals and drones.
Its compact size and lightweight allow you to shoot video content
more conveniently and quickly.
Outstanding Usability
2 Tally lamps, located in front of the lens and mount index, intuitionally show recording status.
Simple user interface solutions for independent content creators' self filming.
Ready
REC
8K & Unified Color Tone
V-AF lens designed for high-resolution camera up to 8K camera, offering fast aperture and precise bokeh. The unified color tone reduces the post-production time.
Expandability
V-AF lens has an electronic connector in front of the lens, enabling communication between the V-AF lens and its exclusive accessories.
1.7x Anamorphic
MF Adapter
When coupled with selected T1.9 V-AF lenses,
this exclusive accessory provides the brightest
Anamorphic Solution on the market. Electronic contacts on
the adapter provide easy operation and superior resolution.
It is compatible with the V-AF 24, 35, 45, 75, 100mm lenses.
※ V-AF 24mm is suitable for APS-C/Super 35 modes
Manual Focus Adapter
For V-AF Series
This exclusive accessory allows you precise and
detailed focus control and provides
professional filming experience.
It is compatible with Φ95mm sized matte box.
※ Lens firmware must be updated to the latest version using lens manager in order to use all the new features of the adapter properly
- 1. Consistent Form Factors
- 2. Tally Lamp
- 3. Smooth Focus Transition
- 4. Custom Switch
- 5. Focus Hold Button
- 6. Standardized Color Balance
- 7. Metal Accessory Mount
- 8. Electronic Connector
- 9. Quiet and Fast AF Performance
- 10. Weather Sealing
1
1. Consistent Form Factors
Featuring a compact and consistent lens design for easy handling gimbal and follow focus.
Consistent form factors and markings optimized for motion picture production
2
2
2. Tally Lamp
Tally lamp function intuitionally shows recording status
3
3. Smooth Focus Transition
Smooth focus transition while the camera is rolling
Linear MF with 300° focus rotation angle.
Available to set in Lens manager software
4
4. Custom Switch
Customize the function of the focus ring options can be programmed via the Lens Station and Samyang's Lens Manager
5
5. Focus Hold Button
Focus hold function(in AF mode) and Focus save function(in MF mode) are assigned to this button.
*Different functions can be assigned through Samyang Lens Station
6
6. Standardized Color Balance
All of the lenses in the lineup are designed to comply with Samyang's CCI Standard.
7
7. Metal Accessory Mount
This robust mount supports V-AF exclusive accessories and it is sole metal mount representing V-AF design
8
8. Electronic Connector
Electronic connect pins for commnicating with V-AF accessories
9
9. Quiet and Fast AF Performance
Samyang's linear STM autofocus motor works in conjunction with the camera's AF system quick, quiet, and precise focusing performance
10
10. Weather Sealing
This lens features a highly effective dust and splash resistant structure with special sealing on 6 lens points
V-AF 20mm
V-AF 24mm
V-AF 35mm
V-AF 45mm
V-AF 75mm
V-AF 100mm
1.7x Anamorphic MF Adapter
1.7x Anamorphic MF Adapter
V-AF Series
V-AF Series
SPECIFICATIONS
| Model Name | V-AF 20mm T1.9 | V-AF 24mm T1.9 | V-AF 35mm T1.9 | V-AF 45mm T1.9 | V-AF 75mm T1.9 | V-AF 100mm T2.3 | |
|---|---|---|---|---|---|---|---|
| Maximum T-stop | T1.9 | T1.9 | T1.9 | T1.9 | T1.9 | T2.3 | |
| Image Circle | Ø 43.3mm | Ø 43.3mm | Ø 43.3mm | Ø 43.3mm | Ø 43.3mm | Ø 43.3mm | |
| Angle of View | Full Frame | 94.5° | 83.7° | 63.6° | 52.3° | 32.9° | 25.4° |
| Super 35 | 71.6° | 60.9° | 43.8° | 35.3° | 21.9° | 16.9° | |
| Focusing Range | ∞ to 0.20 m | ∞ to 0.19 m | ∞ to 0.29 m | ∞ to 0.38 m | ∞ to 0.69 m | ∞ to 0.70 m | |
| ∞ to 0.66 ft | ∞ to 0.62 ft | ∞ to 0.95 ft | ∞ to 1.25 ft | ∞ to 2.26 ft | ∞ to 2.30 ft | ||
| Focus Breathing (∞ to 1 m) | 0.7% | 0.7% | 3.1% | 5.5% | 11.7% | 13.0% | |
| Front Diameter | Ø 70 mm | Ø 70 mm | Ø 70 mm | Ø 70 mm | Ø 70 mm | Ø 70 mm | |
| Filter Diameter | Rear Gelatin Filter | Ø 58 mm | Ø 58 mm | Ø 58 mm | Ø 58 mm | Ø 58 mm | |
| Number of Aperture Blades | 9 | 9 | 9 | 9 | 9 | 9 | |
| Weather Sealing | O | O | O | O | O | O | |
| Custom Mode Switch | O | O | O | O | O | O | |
| Focus Hold Button | O | O | O | O | O | O | |
| Rotation Angle of Focus Ring | 300° | 300° | 300° | 300° | 300° | 300° | |
| Size | Ø72.2 x 76.9 mm | Ø72.2 x 72.1 mm | Ø72.2 x 72.1 mm | Ø72.2 x 72.1 mm | Ø72.2 x 72.1 mm | Ø72.2 x 85.3 mm | |
| Weight (without Lens cap) | 0.30 kg / 0.65 lbs | 0.28 kg / 0.61 lbs | 0.28 kg / 0.61 lbs | 0.28 kg / 0.61 lbs | 0.28 kg / 0.61 lbs | 0.28 kg / 0.61 lbs | |
| Mount | Sony FE | Sony FE | Sony FE | Sony FE | Sony FE | Sony FE | |
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Samyang’s Guide to Achieving the Optimal Angle of View
The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?
The correct answer is the diagonal length of the full frame of a subject.
The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.
For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.
Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.
What is Preset Aperture Control Function?
On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.
AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.
What is Preset Aperture Control Function?
On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.
AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.
What is Recommended Settings for Preset Aperture Control Function?
The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).
* How to use the “Preset Aperture Control” function?
1) Camera Body Setting
AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring
What is Recommended Settings for Preset Aperture Control Function?
The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).
* How to use the “Preset Aperture Control” function?
1) Camera Body Setting
AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring
[What is Dolly Shot? How to Shoot Easily]
[What is Dolly shot?]
A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.
[How to take a Dolly Shot simply by handheld]
Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.
| DSLR / Full Frame |
|---|
| 1D X Mark Ⅱ |
| 1D X |
| 1Ds Mark Ⅲ |
| 1Ds |
| 5DsR |
| 5Ds |
| 5D Mark Ⅳ |
| 5D Mark Ⅲ |
| 6D Mark Ⅱ |
| 6D |
| DSLR / APS-H |
|---|
| 1D Mark Ⅲ |
| 1D |
| Mirrorless / APS-C |
|---|
| M6 |
| M5 |
| M10 |
| M3 |
| M2 |
| DSLR / APS-S |
|---|
| 7D Mark Ⅱ |
| 7D |
| 80D |
| 70D |
| 60D |
| 30D |
| D60 |
| D30 |
| 77D (9000D) |
| 760D (8000D / Rebel T6s) |
| 1300D (Kiss X80 / Rebel T6) |
| 1200D (Kiss X70 / Rebel T5) |
| 200D (Kiss X9 / Rebel SL2) |
| 800D (Kiss X9i / Rebel T7i) |
| 700D (Kiss X9i / Rebel T7i) |
| 100D (Kiss X7 / Rebel SL1) |
| 650D (Kiss X6i / Rebel T4i) |
| 600D (Kiss X5 / Rebel T3i) |
| 550D (Kiss X4 / Rebel T2i) |
| 500D (Kiss X3 / Rebel T1i) |
| 1000D (Kiss F / Rebel XS) |
| 450D (Kiss X2 / Rebel X냐) |
| DSLR / Full Frame |
|---|
| D850 |
| D5 |
| D810A |
| D4S |
| D810 |
| D750 |
| Df |
| D610 |
| D4 |
| D800 |
| D800E |
| D600 |
| D3s |
| D3x |
| D700 |
| D3 |
| DSLR / APS-C |
|---|
| D7500 |
| D3400 |
| D500 |
| D5600 |
| D7200 |
| D5500 |
| D3300 |
| D7100 |
| D5300 |
| D5200 |
| D7000 |
| D300s |
| D300 |
| DSLR / Full Frame |
|---|
| Z6 |
| Z7 |
| D810A |
| D4S |
| D750 |
| D810A |
| DSLR / APS-C |
|---|
| D7200 |
| D500 |
| D3300 |
| D5500 |
| D5600 |
| D3400 |
| D7500 |
* Cameras released within 5 years from 2019 are tested.
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