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A Fantastic Addition to Ultra-Wide-Angle Collection

Simon White

Photographer from England

A Fantastic Addition to Ultra-Wide-Angle Collection



Samyang's amazing Ultra-wide-angle prime lens offers a new view of the world with no distortion.

The XP 10mm f/3.5 EF is Samyang's new premium lens in which they say is the WORLD’S WIDEST PRIME LENS- (except a fish-eye lens).This Premium XP series lens has been designed to work perfectly for cameras which have up to 50 megapixel sensors and 8K cinematography. This lens provides an ultra-wide-angle coverage up to 130° angle of view with a full-frame camera and 104° on a APS-C sensor. This particular lens is for Canon EF mount with manual focus and I was using it on a Canon 6D mk1 (full-frame) and a Canon M3 (APS-C mirrorless full spectrum conversion).

It was designed to be a Rectilinear distortion-free lens providing a great wide angle of view without barrel distortion. However with this type of lens it does suffer from perspective distortion (common on this type of lens) but can easily be overcome by carefully composing their images. This means that it is perfect for capturing a wide landscape, architecture or indoor shots
in high resolution and distortion-free.




Samyang XP 10mm f/3.5 EF with metal lens cap and Soft pouch


The first thing I notice is the typical XP great build quality, with the brushed metal body that is very nicely sized to fit the hand when holding on a camera. It comes with a brushed black metal lens cap that fits snugly on the front lens hood and a soft grey pouch. The manual focus rubber ring on the outside is very smooth and easy to focus through the optical view-finder or on the back screen. It has a metal lens hood along with electronic coupling to provide Exif data and aperture control via your camera. The lens also has a very wide frontal lens glass which even with the hard plastic petal lens hood edge it is still exposed to the elements such as rain, sleet, snow and bright strong direct light, but this again is a typical problem that you soon begin to get used to when using any wide lens by choosing when to take the photo or not usually by selective composition. And because of this design the lens does suffer a bit with lens flare and ghosting especially when in direct sunlight or very strong bright light sources.

 

 

 



ISO100, F/8, 1/160sec. Full-frame

This is a perfect lens for very detailed landscape or complex architectural images especially if you compose your image/shot with care. If you notice with the image below, all of the straight edges are  without distortions.




ISO1250, f/4, 1/50sec. Full-frame

The detail from this lens is incredible along with the sharpness from edge to edge, as seen in the slightly longer exposure at night bridge shot below. Notice the detail in the bottom corners!

 

 



 

ISO640, f/9, 1.6sec. Full-frame

 

I thought I would be nice to see how it worked on my Mirrorless APS-C Canon M3 camera which has had a Full-spectrum conversion to be able to capture Infrared Images. Again it works well giving a 16mm equivalent full-frame image.

 

 

 

 

Infrared Image at ISO100, f/11, 1/100sec. APS-c mirrorless full spectrum Canon M3

 

In conclusion the Samyang XP 10mm f/3.5 due to the nature of the design of the lens and if used well will be a fantastic addition for anyone requiring a very Ultra-wide-angle with no distortions such as cityscapes/landscapes/indoor architecture etc with good leading lines within the composition. The colours and contrast levels are fantastic with your resulting images looking vivid, vibrant and have good depth. Couple this with a well-built body design and a weight of 731g it feels nice and solid to hold.

Samyang have again made a wonderful lens to add to any collection.

 


 

 

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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