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King of Bokeh

Kajetan Konieczny

Photographer from Poland

Over the past month I have had the opportunity
to test the Samyang XP 85mm F1.2 lens from the Premium series.

XP 85mm F1.2 is one of 5 lenses of the series in which Samyang focuses on the highest optical quality, apart from the 85 focal length,
10mm F3.5, 14mm F2.4, 35mm F1.2, 50mm F1.2 and this 85mm F1.2.
As I am a fan of low apertures I was very happy that I could test it with my Canon EOS EOS R. This line is designed to handle 50 mpx and 8k filming.
This month I wanted to check it in all circumstances. Although hearing the 85 focal length combined with a value of one 1.2 the conclusion is clear – portraits.

zoom
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/1000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

This premium lens is built like a tank.

Let’s start by making the lens consists of 10 Elements in 7 Groups and has 9 diaphragm blades weighing 1,050g and filter size 86 and the aperture can be closed down to f16. The lens is built like a tank, decent production is a showcase of the Premium lines of these manual lenses, the ring has a very wide range so it is possible to focus precisely on 1.2 it comes with nice resistance, thanks to which the focus does not escape and the ring shows a red strip which is characteristic of the Samyang lenses. It is heavy like any of the lenses in this series, however quality comes with weight.

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The lenshood and lens are designed so that they can be used together all the time,

thanks to which you can limit solar flares and thanks to this combination the lens looks simply amazing, I tested many lenses in my life but this one looks the most interesting, it’s a small accent that is not the most important but it’s nice that it is.

I was knocked down by the XP 85mm.

Let’s get through to the most interesting thing, i.e. sharpness at low apertures and I have to say immediately that I was knocked down by the XP, I haven’t had the opportunity to test the lens which was so sharp when fully open. The lens designed for portraits with such great results is a gold. On stopping down to 2.8 it gets even sharper from edge to edge. Comparing it to the system glass with a slightly higher aperture it falls out more than good.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom

King of Bokeh

Thinking about 1.2, he sees a beautifully blurred background, how is it? XP 85mm F1.2, according to me, blurs insanely, adding to the front blur the photos look like a fairy tale thanks to the 9 aperture in combination with such a large relative aperture. It’s hard to want more from a portrait lens but of course sometimes it’s hard to hit on 1.2 you have to come to terms with so wide aparture.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/1000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.4
SPEED 1/4000 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Premium performance
for premium design

In such constructions it is different with chromatic aberration at low apertures, however, it occurs in very small amounts, especially when it compares it with the competition in which we have more at higher apertures. Coma also hardly ever occurs. However, I expected such performance from the premium design.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/5000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/3200 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.4
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/500 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Amazing color rendering

The lens, however, like everyone is not without flaws, such as the lack of autofocus or weight, and how to think about taking it, e.g. for a wedding, it could be hard, but when I think that I could make at least one portrait with this lens, then I know that I can wear it all day all day. Thee color contrast is amazing, and some photos don’t need editing to look just great.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/8000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/640 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

For every portraits photographers

You can say that this is specialized equipment not for everything, if you have time to use it you will be delighted with the effects, great workmanship has made it become my favorite lens, although not the most used. However, as always in photography, the effect counts. I recommend it to everyone who takes portraits and food/production photos because in these areas he is irreplaceable and just insane lens with amazing bookeh.

I am very happy that Samyang creates its line of Premium Lenses that are designed for specific thing, that you can expect amazing effects. That’s how good company works on it’s name.

Kajetan Konieczny

As a photographer with over 5 years of experience, I mainly deal with wedding photography. I try to capture every important moment for the bride and groom from the most important moments to the smallest details, so that after many years they can experience these moments again.

rvphotography.pl

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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