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Wedding Videography Checklist

Jay Gilmour

Photographer from England

Hi Jay Gilmour,
Please share some stories as a professional wedding videographer.
Hi, my name is Jay Gilmour, a full-time wedding videographer based here in Cumbria, the beautiful lake district.
One of the questions I get quite often is how to film a ceremony. I will talk about what to prepare for filming the wedding ceremony and some tips.

How Do You Prepare for a Wedding?
Well, the boring stuff is to make sure everything is charged, memory cards are formatted, and everything is there and working. 
I am methodical, to the point of being obsessive with my gear! Everything has its place (and labelled!). 
This has always helped me because if I forget a mic, a cable, or even something small like a tripod plate it can be an absolute disaster. 
A lot of wedding photographers and videographers like to go and scout the venue beforehand, I am the complete opposite, 
I like to see it with fresh eyes, this gets my creative mind in gear much quicker and I do not have to worry about any planned shots I had had to change, 
which happens often, due to timings, weather or whatever it may be.

What Goes into Creating the Perfect Wedding Memory?
God is in the detail,’ which seems fitting for a wedding! The best weddings are personalised, with small touches the couples use to make it theirs. 
It could be anything, small gifts, those little moments and even pets getting in on the big day!

My job is to relive the couple’s experience through the filming and editing process. There is not a one size fits all approach. 
When it comes to wedding videography yes, I have my style, but this differs slightly from film to film. 
For example, if the wedding was upbeat and had a party vibe, the film should be the same. 
On the other hand, if the event was more heartfelt and sombre again the film should reflect this.

I also try to tell the story of the day through the smaller moments. Every wedding has the “I do’s” and the speeches (some good, some bad!). 
But not everyone has that wink from a future father-in-law to his new son-in-law when coming up the aisle, 
not every wedding has that usually hard-faced father shedding a small tear of how proud he is when seeing his daughter in the wedding dress for the first time.

These are the moments I absolutely love and completely make the day for me. 
In turn, this can make the project extra special, during the ceremony people might not notice these moments. 
However, when they are captured on screen, they can reignite memories again and again and that makes it all worthwhile.


 


Are There Any Big Challenges That You Face During a Project?

Space is always an issue!

Physically, in Cumbria, our churches are beautiful, but small, and usually hundreds of years old. 

My village church dates to the 12th century! When it was built, I do not think they were thinking about wedding videographers! Ha-ha

Then, I can easily shoot 600-700 GB worth of footage in computer space, since I shoot 4K at 10-bit to get the best quality. 

It feels like I am constantly buying more space, even with the huge RAID drives I use.

 

During the wedding day itself, since I am working alone, it is sometimes difficult to prioritise or to know where you should be to get the most important shots of the day. 

For example, you need to be at the church/venue to set up, but one of the most important shots is the bridesmaids, 

the father, or the bride’s reaction shot which happens just before they leave. So, knowing your kit, 

where everything is, what needs to be done, all in a ridiculously short space of time, is crucial.

 

But apart from that, I have done enough now that hopefully, I can deal with any unexpected changes that may (and will) happen. 

And sometimes that is when you get the best shots!

 

 

 

Advice to Others/Beginners?

I adore my job; I genuinely love the reactions from guests and family at the wedding and take great pride in the responses and comments I get from people watching my films. So, in that sense, I wholeheartedly recommend aspiring individuals who are thinking about it, to just go for it.

 

On the other side, it IS stressful, and it is a loooooong day! Working 12 hours non-stop with heavy gear is not for everyone.

 

If you are looking to start, the best and easiest way is to offer to do it for free or cheap if family/friends are getting married and do not have a videographer. 

That way there is less pressure to get it right the first time.

 

The next small tip is about gear when you first start you tend to buy lots! Most of it you will not use, some of it you will use then realise it is not right for you. 

In time, you will notice what are your go-to pieces and when you need to add more to your collection of gear for a specific request or event.

 

Play around with your gear to get to know it better, use videos by the company or on places such as 

YouTube to learn tips and tricks and make amendments where necessary to make sure it fits into your workflow.



 

 

 

Wedding Videography Checklist - JAY’S GO-TO KIT

Whether you are a beginner or an experienced videographer, you need two cameras for a wedding. It gives you options on the angle and, 

more importantly, it can cover up mistakes or issues. Mistakes do and will happen, no matter how long you have been in the industry! 

I would suggest getting two cameras of the same brand, so you do not have any issues matching footage later.

Two cameras mean more than one lens. I use a Samyang AF 50mm F1.4 FE II primarily, an AF 35mm F1.8 FE

and an AF 135mm F1.8 FE this gives me the coverage I need, and a variety of shot types. 

 

 

 

 

I love the Samyang AF 50mm F1.4 FE II lens and it's always on my camera because it has the same kind of wide-angle view as you would see with your own eye.

It works great for mediums even to wide if I'm a little bit further back and that f/1.4 just makes it so worthwhile when you have it at dark church. 

My second lens for the second camera is the Samyang AF 35mm F1.8 FE. I generally use that for speeches when I need to stand back a little bit and there isn't really enough room for me. A nifty fifty and a wider angle are always easy to pick up cheaply if you are just starting. 


 

 

 

 

As you grow you will soon realise that creativity in your storytelling is key. No matter how expensive the gear you have, if you do not tell a story, it doesn’t matter. 

A straightforward way to add an establishing shot is with a drone. Drones are simple to use and relatively inexpensive. 

Just make sure you have the correct licence and insurance in place before flying.


 

Next on the list, in terms of a more advanced kit, is a gimbal and a monitor. A gimbal is not a necessity, but it’s a great add-on for that super-smooth cinematic look. 

An external monitor could easily belong in the ‘what to buy as a beginner’ category. It helps to compose a shot and has more advanced features for exposure and focusing. The Atomos Ninja V is my go-to monitor as it also records, so no need to worry about carrying multiple memory cards.

 


Good audio takes the right equipment and a lot of technical skill/instinct during the wedding shooting itself. 

You should arrive early and test the main things to focus on, which would be:


- Eliminate any unwanted noise sources before recording

- Outdoor shots mean wind noise - be careful!

- Check levels for the sound quality of speeches and dialogue


Being over-prepared can prevent a major disaster from occurring. Be cautious and have a backup plan in place, 

and if you are not confident in your skills yet, reach out to others in the industry to help you with the process and to give you pointers.

Last but by no means least are backups - the more the better! It is always a good idea to have multiples of everything - you never know what can go wrong on the day, 

so being prepared is the best option. It is a necessary evil in terms of videography and at such a momentous event you don’t want to be taking any chances with precious memories!


Source: 

https://www.holdan.co.uk/news/love-captured


 

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

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표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

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