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Defamiliarization with wide angle

Claudia Corrent

Photographer from Italy

The photographs were taken in South Tyrol,
a region in northern Italy on the border with Austria, where there are three
language groups: the Italian, German and Ladin language groups.

It is the city where I was born and grew up, so it is a familiar place and, like any known place, it is difficult to look at it with new eyes.
Luigi Ghirri, for example, a famous Italian photographer had based his photographic poetics on apparently banal places, near the house,
trying to renew a look at familiar things, already seen but for the first time "looked at" with different eyes.

The images show the landscape of the city and its surroundings and are the result of a process that led me to think about the places and environments that people create
and live. I asked myself: "Is there an identity that connects the landscape and the people? What kind of relationship exists between the two? Is there a form of dentification"?

zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/1250 sec
ISO 250
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/2000 sec
ISO 250
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/250 sec
ISO 200
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

These are the questions from which I begin to tell a story about a place, trying to discover its genius loci.
I always try to include the human figure for this very reason, and even when there is not, the presence is still tangible because the landscape is often a cultural landscape. In the
places that I photograph I try to map the territory through some recurrent elements: the streets, the squares, the people in contact with nature, with a look tied to the
marginal, to the small things. My research begins with landscapes because places are always inside landscapes before being outside. They can also be called mental landscapes,
underlining the relationship between emotional landscape and external landscape.

zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/200 sec
ISO 200
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

I shot in November, in full autumn
light, when nature changes its colors
and the light becomes softer.

The light at this time of year is very interesting, it is a changing light: no longer summer, but not yet winter.

Bolzano is a city surrounded by hills and mountains and this makes the passage of the seasons much more visible, it is also a small city, which is good for cycling so it can have a more natural standard of living than those who live in a big city, with all the associated limitations of course!

zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/4000 sec
ISO 200
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/1600 sec
ISO 250
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/500 sec
ISO 250
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

The city landscape is composed of vineyards, apple orchards and trees in the
various gardens. The trees are colored in various shades, from vibrant reds to the
yellow of the vineyards. Here, the autumn light takes the place of the summer one.

It was a challenge to photograph due to the wide angle. I usually use a 24-70 with autofocus but photographing with a 14 mm led me to change a lot of perspective. It was interesting to change the way of seeing because with such a wide view there are so many things that can be captured. Even framing becomes a way to observe things in a slower, more careful way.

Taking pictures with a wide angle as high as 14mm gives you the opportunity to bring many things into the frame; suddenly the world becomes so large. You also find yourself thinking by subtraction and asking: what should I remove from the image? How close do I have to get to let in what I want? To make the image as ordered as possible?

zoom
LENSES MF 14mm F2.8
CAMERA NIKON
D700
DIAPHRAGM F2.8
SPEED 1/2000 sec
ISO 250
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Claudia Corrent

https://claudiacorrent.carbonmade.com/

Claudia Corrent (b. in 1980) is a freelance photographer based in Bolzano, Italy. After graduating from Philosophy at the University of Trento, she approached photography through several workshops and courses: “Visual Urban photography” by Francesco Jodice in (2007), “Photojournalism” by Parallelo Zero (2013). Through a masterclass with Simon Robert in Venice (2014), in 2015 she participated in a master-class at the Fabrica (Treviso) and she was selected to participate in a residency sponsored by Camera (Turin) with Henry Gruyar. She was awarded with the "Prix Festival City Enterprise 1000 Talents of Venezie", (Vicenza) and her work was exhibited in San Francesco, Russia, Lithuanian, Milan, Rome, Lucca, Bolzano, Venice, Genoa, Monopoli, and Lecce. Her images have been published in Repubblica, Corriere della Sera, Der Spiegel, Die Zeit, Gioia, Courrier International, and online in National Geographic, Il Post, Vanity Fair. She’s interested in storytelling especially related to anthropological and social issues and the relationship between people and the environment. She is represented by LUZphoto. claudiacorrent.carbonmade.com

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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