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Food Photography-XP 85mm F1.2

Nic Taylor

Photographer from UK

Food Photography-XP 85mm F1.2 

 

 

Samyang's stunning XP 85mm f1.2 lens is not just a great lens for portrait photography, it's also a lens that can be used to create beautiful food photography. Due to it's manual focusing system, still life photography seems like the perfect match. With food photography the photographer has time to compose each frame so a speedy auto-focusing system isn't a necessity. I use my XP 85mm via an adapter on my Sony A7RIII and the images that this combination produces are stunning with razor sharp details, vibrant colours and punchy contrast - just what you want when photographing food to make it look as appetising as possible.

 

When it comes to food photography, getting the right light is essential. As I shoot for a lot of different restaurants it's not always possible to have a location at the restaurant to setup near a window or space where there's a good source of natural light. For that reason I always take a studio strobe and a large softbox. This allows me the freedom to setup anywhere in the restaurant and gives me a powerful, controllable light source that is softened depending on the size of the light modifier - in most cases I use a 120cm x 80cm Phot-R softbox with double diffusion.

 

 



Here's my usual setup for food photography

 

 

 

In terms of getting the composition and point of focus perfect using the XP 85mm f1.2 lens I occasionally use a tripod but most of the images in this article were shot handheld so I heavily rely on the amazing focus peaking feature built-in to my Sony A7RIII. This feature shows exactly what's in focus in my EVF or on my screen by detecting edges of high contrast (and therefore most in focus) and displaying a red border around them. I then zoom in (using the camera's focus zoom feature) on the specific area that I want in focus and then rotate the focus ring until it has perfect focus - a very easy process for me with my mirrorless camera. Due to DSLRs having an optical viewfinder this whole process could be a lot more difficult and I'd imagine a tripod would be essential.

I love the bokeh (out of focus blur) that the XP 85mm f1.2 lens is capable of producing. It can help to isolate the subject from the background. Perfect for a side on shot like some of the cocktail images towards the bottom of this article. With a minimum focus distance of 80cm it allows me to get close enough to capture some of the finer details of a dish with precise sharpness. This lens really is a joy to use especially for this specific application. Check out some images below that have been taken with it.



Sony A7RIII - f4, 1/80th, ISO 160



Sony A7RIII - f4, 1/125th, ISO 160




Sony A7RIII - f4, 1/80th, ISO 160




Left : Sony A7RIII - f4.5, 1/200th, ISO 100    Right : Sony A7RIII - f4, 1/60th, ISO 100




Sony A7RIII - f4.5, 1/60th, ISO 64




Sony A7RIII - f7.1, 1/160th, ISO 160




Sony A7RIII - f6.3, 1/125th, ISO 160




Sony A7RIII - f5, 1/160th, ISO 100




Sony A7RIII - f8, 1/160th, ISO 125




Sony A7RIII - f9, 1/160th, ISO 200




Sony A7RIII - f5, 1/200th, ISO 800



Left : Sony A7RIII - f3.5, 1/200th, ISO 250    Right : Sony A7RIII - f2.8, 1/200th, ISO 250




Sony A7RIII - f2.8, 1/125th, ISO 160

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
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M6
M5
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DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
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D850
D5
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D810
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Df
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D600
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D7500
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D5600
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D5500
D3300
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D5300
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D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
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DSLR / APS-C
D7200
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D3300
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* Cameras released within 5 years from 2019 are tested.

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