PRODUCT

85mm T1.5 VDSLR AS IF UMC II

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Complete smooth and precise filming! This cine lens gives you butterly bokeh through 8 pieces of circular aperture.

Semi-telephoto Manual Focus Cine Lens

Samyang Optics 85mm T1.5 VDSLR AS IF UMC II is a semi-telephoto manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features

Samyang 85mm T1.5 VDSLR AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. Also, distance scale and T numbers are marked on both sides of the lens for convenience.

Optical Features

As Samyang 85mm photo lens does, this VDSLR lens also has an outstanding optical function. Optical lenses feature 9 lenses in 7 groups. Hybrid aspherical lens (H-ASP) has a specially designed curved surface to minimize color aberration and realize exceptional image quality and high contrast throughout center to corner of image even when aperture is fully opened. Samyang 85mm T1.5 II is an inner focus lens. The length of lens does not change when focusing so it is dustproof. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration and minimizes flare and ghost. There are 8 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully.

Hardware Features

Samyang VDSLR lens can be used both in photography and cinematography, perfect for amateurs and professionals. The frame of the lens is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, detachable petal-shaped lens hood shelter the lens from unnecessary lights. Filter size is 72mm.
Available for 9 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, MFT, Samsung NX, and Fujifilm-X.

Samyang Optics VDSLR lens line

Samyang 85mm T1.5 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image color and have a united location of aperture and focus gear ring to maximize the convenience when filming.
※ Size and design may vary depending on the mount of a lens

Technical Information
  • Specifications
    Specifications 85mm T1.5 VDSLR  AS IF UMC II
    Aperture RangeT1.5 ~ T22
    Optical Construction9 ELEMENTS IN 7 GROUPS (1 Hybrid ASPHERICAL LENS)
    Minimum Focusing Distance1.1m (3.6ft)
    Filter Size72.0mm
    Maximum Diameter78.0mm
    MountNIKON FCANON
    EF
    PENTAX
    K
    SONY
    A
    CANON
    M
    FUJIFILM
    X
    SAMSUNG
    NX
    SONY
    E
    MICRO
    FOUR
    -THIRDS
    Angle Of View35mm28.3˚28.3˚28.3˚28.3˚---28.3˚-
    APS-C19.1˚17.7˚19.1˚19.1˚17.7˚19.1˚19.1˚19.1˚-
    FOUR-THIRDS
    4/3”
    --------14.4˚
    Length(mm)
    Lens Mount to Front
    72.2mm74.7mm73.2mm74.2mm100.6mm101.0mm93.2mm100.7mm99.5mm
    Weight(g)
    560g580g550g570g640g645g595g605g595g
    GearModule0.8mm
    A7mm
    B4mm
    C43.8mm
    D8mm10.5mm9mm10mm36.4mm36.8mm29mm36.5mm35.3mm
    Focus Ring Diameter81.6mm
    Aperture Ring Diameter70.4mm73.6mm
  • MTF CHART 








  • Optical Construction 

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    Samyang’s Guide to Achieving the Optimal Angle of View

    The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

    The correct answer is the diagonal length of the full frame of a subject.

    표준화각 자료 이미지
    표준화각 자료 이미지

    The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

    For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

    Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

    What is Preset Aperture Control Function?

    On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
    Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

    AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

    What is Preset Aperture Control Function?

    On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
    Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

    AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

    What is Recommended Settings for Preset Aperture Control Function?

    The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

    * How to use the “Preset Aperture Control” function?

    1) Camera Body Setting
          AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
    (2) Lens Setting
          Switch your "Custom Switch” to “Mode 2(M2)"
    (3) Now, you're ready to use the Preset Aperture Control function with your focus ring

    What is Recommended Settings for Preset Aperture Control Function?

    The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

    * How to use the “Preset Aperture Control” function?

    1) Camera Body Setting
          AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
    (2) Lens Setting
          Switch your "Custom Switch” to “Mode 2(M2)"
    (3) Now, you're ready to use the Preset Aperture Control function with your focus ring

    [What is Dolly Shot? How to Shoot Easily]

    [What is Dolly shot?]

    A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

    [How to take a Dolly Shot simply by handheld]

    Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
    1. Stand at a distance of about 1.5 to 2 meters away from the subject.
    2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
    3. After focusing on the subject, set the aperture to F8~16.
    4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
    5. Dolly Shot complete!
    ※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

    DSLR / Full Frame
    1D X Mark Ⅱ
    1D X
    1Ds Mark Ⅲ
    1Ds
    5DsR
    5Ds
    5D Mark Ⅳ
    5D Mark Ⅲ
    6D Mark Ⅱ
    6D
    DSLR / APS-H
    1D Mark Ⅲ
    1D
    Mirrorless / APS-C
    M6
    M5
    M10
    M3
    M2
    DSLR / APS-S
    7D Mark Ⅱ
    7D
    80D
    70D
    60D
    30D
    D60
    D30
    77D (9000D)
    760D (8000D / Rebel T6s)
    1300D (Kiss X80 / Rebel T6)
    1200D (Kiss X70 / Rebel T5)
    200D (Kiss X9 / Rebel SL2)
    800D (Kiss X9i / Rebel T7i)
    700D (Kiss X9i / Rebel T7i)
    100D (Kiss X7 / Rebel SL1)
    650D (Kiss X6i / Rebel T4i)
    600D (Kiss X5 / Rebel T3i)
    550D (Kiss X4 / Rebel T2i)
    500D (Kiss X3 / Rebel T1i)
    1000D (Kiss F / Rebel XS)
    450D (Kiss X2 / Rebel X냐)
    DSLR / Full Frame
    D850
    D5
    D810A
    D4S
    D810
    D750
    Df
    D610
    D4
    D800
    D800E
    D600
    D3s
    D3x
    D700
    D3
    DSLR / APS-C
    D7500
    D3400
    D500
    D5600
    D7200
    D5500
    D3300
    D7100
    D5300
    D5200
    D7000
    D300s
    D300
    DSLR / Full Frame
    Z6
    Z7
    D810A
    D4S
    D750
    D810A
    DSLR / APS-C
    D7200
    D500
    D3300
    D5500
    D5600
    D3400
    D7500

    * Cameras released within 5 years from 2019 are tested.

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