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10mm F2.8 ED AS NCS CS

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Add professionalism to your creativity with Samyang extra-wide-angle lens

It is a extra-wide-angle manual focus lens designed for APS-C crop sensor cameras.

With low distortion and wide angle (109.5°), photographers who want wide-angle photos such as landscape and architectural images can create satisfactory images. F2.8 is very bright even under relatively dark environment, clear and vivid images can be captured.

Optical construction of Samyang 10mm F2.8 ED AS NCS CS features 14 lenses in 10 groups – among lenses, there are 2 glass aspherical lenses(AS) and 1 low-dispersion glass(ED). It realized the minimum focal length of 0.24m. Also, for the first time in Samyang Optics history, the independent NCS(Nano Coating System) was used. It creates even lower reflection rate than the original UMC (Ultra Multi Coating) and higher contrast. Also, the light penetration rate is very high to minimize flare and ghost.

There are 6 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully in deep depth of field image. The frame of Samyang 10mm F2.8 ED AS NCS CS is compact and solid since it is made of high-strength aluminum alloy. Trustworthy images can be captured even under inferior environment. Also, petal-shaped lens hood to shelter lens from unnecessary light is provided.

Available for 9 camera mounts: Canon EF, Nikon F, Pentax K, Sony A, Canon M, Fujifilm X, Sony E, Samsung NX, MFT
※ Size and design may vary depending on the mount of a lens

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  • 109.5° Ultra Wide Angle

    Ultra-wide angle allows to capture the creative space beyond what meets the eye and portray an expanded sense of dimension.


  • Aspherical Lens

    With minimal spherical aberration and distortion, you can take pictures with incredible precision.



  • Nano Coating System

    The nano-coating system minimizes flare and ghosting effect resulting in crystal clear image quality.



  • Compact & Lightweight

    The compact, lightweight build makes it the perfect choice when traveling.


  • Smooth Focus Ring

    Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Technical Information
  • Specifications
    Model Name 10mm F2.8 ED AS NCS CS
    Aperture range F2.8 ~ 22
    Optical
    Construction    		 14 Elements in 9 groups
    (2 ASPHERICAL LENS)
    Minium
    Focusing distance    		 0.24 m
    Filter size -
    Maximum diameter 87mm
    Mount Canon EF Nikon F Pentax K Sony A Canon M Fujifilm X Samsung NX Sony E MFT
    Angle of view APS-C 105.9˚ 109.5˚ 109.5˚ 109.5˚ 105.9˚ 109.5˚ 109.5˚ 109.5˚ -
    Four-thirds - - - - - - - - 93.4˚
    Length 106.1mm 103.6mm 104.6mm 105.6mm 132mm 132.4mm 124.6mm 132.1mm 130.9mm
    Weight 590g 580g 580g 585g 620g 625g 615g 620g 620g
    Function A / S / M / P mode (Nikon F)
  • MTF CHART 

  • Optical Construction


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10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS
10mm F2.8 ED AS NCS CS

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

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The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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