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50mm F1.2 AS UMC CS
Brighter and Lighter
Samyang Optics 50mm F1.2 AS UMC CS is a standard angle manual focus photo lens for mirrorless cameras with APS-C sensor sizes. With a significantly bright F1.2 aperture, the lens creates bright and trust-worthy images and impressive bokeh even with mirrorless cameras. The 50mm F1.2 is a multi-purpose lens, especially including portraits.
Optical Features
Samyang 50mm F1.2 AS UMC CS has a significantly low F number (F1.2). You may precisely control the lens when shooting under various exposure environment including relatively dark situations. This lens features 9 glasses in 7 groups including 2 glass aspherical lenses (ASP) to offer high resolution throughout the image. Ultra Multi Coating(UMC) of Samyang Optics is used to optimize the light penetration and minimizes flare and ghost.
Hardware Features
There are 9 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully. The solid frame of the lens is made of high-strength aluminum alloy so you can create trustworthy images. This compact and light-weighted lens is specially designed for mirrorless cameras for portability. Also, detachable petal-shaped lens hood minimizes flare and ghost by sheltering lens from unnecessary lights.
Available for 4 mirrorless camera mounts: Canon M, Fujifilm X Sony E, MFT
※ Size and design may vary depending on the mount of a lens
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Bright F1.2 Aperture
Guarantees faster shutter speed in low light conditions and adds depth to your pictures by blurring the background.
Aspherical Lens
With minimal spherical aberration and distortion, you can take pictures with incredible precision.
Minimized Flare and Ghost Effects with Ultra Multi Coating
By reducing the impact of flares and ghosting effects in your pictures while ensuring excellent image quality and contrast from the center to the periphery, it offers crystal clear, sharp image quality.
Compact & Lightweight
The compact, lightweight build makes it the perfect choice when traveling.
Smooth Focus Ring
Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.
Technical Information
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Specifications
Model Name 50mm F1.2 AS UMC CS Aperture Range F1.2 ~ F16 Optical Construction 9 ELEMENTS IN 7 GROUPS (2ASPHERICAL LENSES) Minimum Focusing Distance 0.5 m(1.64ft) Filter Size 62.0mm Maximum Diameter 67.5mm Mount Canon M Fujifilm X Sony E MFT Angle Of View APS-C 30.0˚ 31.7˚ 31.7˚ - FOUR-THIRDS - - - 24.5˚ Length 74.1mm 74.5mm 74.2mm 73mm Weight 385g 380g 375g 385g -
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Samyang’s Guide to Achieving the Optimal Angle of View
The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?
The correct answer is the diagonal length of the full frame of a subject.
The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.
For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.
Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.
What is Preset Aperture Control Function?
On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.
AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.
What is Preset Aperture Control Function?
On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.
AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.
What is Recommended Settings for Preset Aperture Control Function?
The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).
* How to use the “Preset Aperture Control” function?
1) Camera Body Setting
AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring
What is Recommended Settings for Preset Aperture Control Function?
The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).
* How to use the “Preset Aperture Control” function?
1) Camera Body Setting
AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring
[What is Dolly Shot? How to Shoot Easily]
[What is Dolly shot?]
A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.
[How to take a Dolly Shot simply by handheld]
Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.
DSLR / Full Frame |
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1D X Mark Ⅱ |
1D X |
1Ds Mark Ⅲ |
1Ds |
5DsR |
5Ds |
5D Mark Ⅳ |
5D Mark Ⅲ |
6D Mark Ⅱ |
6D |
DSLR / APS-H |
---|
1D Mark Ⅲ |
1D |
Mirrorless / APS-C |
---|
M6 |
M5 |
M10 |
M3 |
M2 |
DSLR / APS-S |
---|
7D Mark Ⅱ |
7D |
80D |
70D |
60D |
30D |
D60 |
D30 |
77D (9000D) |
760D (8000D / Rebel T6s) |
1300D (Kiss X80 / Rebel T6) |
1200D (Kiss X70 / Rebel T5) |
200D (Kiss X9 / Rebel SL2) |
800D (Kiss X9i / Rebel T7i) |
700D (Kiss X9i / Rebel T7i) |
100D (Kiss X7 / Rebel SL1) |
650D (Kiss X6i / Rebel T4i) |
600D (Kiss X5 / Rebel T3i) |
550D (Kiss X4 / Rebel T2i) |
500D (Kiss X3 / Rebel T1i) |
1000D (Kiss F / Rebel XS) |
450D (Kiss X2 / Rebel X냐) |
DSLR / Full Frame |
---|
D850 |
D5 |
D810A |
D4S |
D810 |
D750 |
Df |
D610 |
D4 |
D800 |
D800E |
D600 |
D3s |
D3x |
D700 |
D3 |
DSLR / APS-C |
---|
D7500 |
D3400 |
D500 |
D5600 |
D7200 |
D5500 |
D3300 |
D7100 |
D5300 |
D5200 |
D7000 |
D300s |
D300 |
DSLR / Full Frame |
---|
Z6 |
Z7 |
D810A |
D4S |
D750 |
D810A |
DSLR / APS-C |
---|
D7200 |
D500 |
D3300 |
D5500 |
D5600 |
D3400 |
D7500 |
* Cameras released within 5 years from 2019 are tested.
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